I have been engaging in a exploration to try to understand or to find out a methods that allow me to capture and make my prints collection visible to others. Not on the design of the way to present the print artifacts but also the organization of the material and the information I have. So far I been digging in ideas from few design research methods such as Brenda Lauren, Philip Meggs and Steven Heller. In America there are quite a few books that is publish as a collections of many graphic design work throughout the years. This is interesting as I find it very similar to what I am exploring with Malaysian Artifacts. I am intended to try these methods and hopefully I will be able to work this process out.
The questions I am having running around my head is firstly ‘How do I organize the print artifacts that I collected and make them visible to others? What kind of direction I should take? Is there any model I would be able to follow in doing this?
Secondly, If the focus of my study is to explore and investigate how the concept of Malaysian identity has been manufactured or constructed through stereotypical iconography, then how does this collection of print artifacts would be able to demonstrate my argument?
In the process of exploring the methods that will work in demonstrating my print materials, I am also reflecting on the process of discoveries itself. In doing the process of finding the methods, I also realized how long hours I have spend on Adobe Photoshop software. Cropping, re-touch images, changing the sizes of the images and many other is part of the graphic designers job. In my situation, the images that I have are pretty old, on top of that I only have them in hard copy and there is none that is available in digital, apart from some efforts making by few Malaysian designers. Therefore scanned or photo shooting is also part of the process, before we even get to the reconstruction process.
Anyway, got to go and continue retouching my imagery, I will update the blog hopefully in few days. Meanwhile, to whom who celebrate Christmas, Merry Christmas and for the new life in 2010, Happy Jolly New Year and hope all your wishes may all comes true!
Now, this is an interesting efforts. I think it should be more. A site call Malaysian Design Archive is up and waiting for people to contribute adding the collection. If you have any printed material that you think could help to add in the collections of Malaysian design archive then join in. We need more of this going. Ezrena is one of many Malaysian graphic designer who feel the needs to start making the collections available to others. I think too. In my study, one of the findings is there is not archive of Malaysian graphic ephemeral available to public. I know that News Straits Times keeps the collections of the newspapers since they started, but that is only one part of graphic ephemeral, what about others? What about the poster for elections for examples, the promotions printed material from Tourism Malaysia, flyers or brochures promoting some vernacular Malaysian products? How do we trace the Malaysian graphic design evolution or identity if these materials are not available for us to refer to, and how can we claimed that we are this and we are that as a Malaysian if our roots of origin is still vague and confuse. Now, please correct me if I am wrong but, so far, through my research trip up and down from Malaysia to Melbourne, I didn’t come across this collection of graphic ephemeral in national collections such as library, and national archive. Nothing. We need to start collecting and share this collection with others so that we can understand our own culture, questions where it belong to and start to considered a lot of issues before we make any claim that it is authentically Malaysian. Designers will be able to refer to something that is local, and not to the western literature and design book.
In my research I have collected from second hand book shops and personal collectors, Malaysian advertisements from 1957 to 2007. Of course this collections is not complete but it is still an on going process. Now why do I stop on year 2007? Well, I thought 50 years is a descent time to see the evaluation of Malaysian identity, enough time for me to work on, of course there are possible future research that will rise from this, which I think is great. That means there are still gaps to be filled in relation to Graphic Design in Malaysia. Would be wonderful to be able to write about this, as I think that is what lacking in Malaysia. Most of Malaysian graphic designer are confuse and lost with the idea of their national identity, why? Well, one good reason is because we don’t have much literature to refer to, apart from the western graphic design literature and perspective.
Here are samples of the collection I have in hand, I am still collecting. If you have any of them please let me know. Thanks.
WANITA - Malaysian first established woman magazine cover collection. Which one of this covers was published in 1972? One of the first few published woman magazines?
Collection of Malaysian Advertisements since 1957, I still need to get more around 1990's, anyone have them?
Now, when it comes to writing, I think it is a common phenomenon for graphic designer not to write, well clearly that it is was not part of graphic designers’ practice, but now to be able to let the graphic designers’ voice heard by others, writing is essential. I think it is important to be able to explain and articulate the process and the idea behind the action in writing, furthermore to be able to document our thoughts not only through visual communication but also through our writing skills. Here in Melbourne, there is more and more graphic designer who writes, but still there are many who prefers to focus on communicating their thoughts through visuals and forms. We need this balance in Malaysia. We also need to stimulate this awareness of adding to literature about Graphic Design in Malaysia, the history, the practice, the style, methods, identity, etc. There is so many areas that we can start to investigate and study. Isn’t this great! Malaysian is a new country, and indeed the areas of study has never been an interest of some, particularly when it comes to the funding wise. But I think if we highlight this as an significant contribution to other study, such as cultural studies, other design practices, and historical studies, then perhaps we might be able to get some funding to keep this study going. If anyone is interested in funding the printing, publication in relation to Graphic Design in Malaysia please email me at nurulrahman[at]hotmail.com
I have been waiting for this moment. The moment that graphic designers’ in Malaysia feel the need to have this archive and collection available for further research. I hope to be able to see this more. The discussion I have started in the discussion online forum in 2006 through www.malaysianidentity.com was an attempt to stimulate the conversation and the awareness of this. Please feel free to contact me if you have some collections of Malaysian old printed materials.
Why we have become like gods as technologies and like devils as moral beings, supermen in science and idiots in aesthetics – idiots above all in the Greek sense of absolutely isolated individuals, incapable of communicating among them selves or understanding one another? (Levis Mumford)
